Talking of French intellectuals and Heidegger, here's a piece in the NYRB from Jamieson Webster, who, we learn, is a psychoanalyst in private practice in New York City. Riding in Cars with Jacques Lacan.
An excerpt:
Lacan’s son-in-law, Jacques-Alain Miller, wrote a biographical text on Lacan and speaks about his intolerance of red lights, how he ran them all the time. Even when Lacan was merely a passenger, if you refused to run a red light, he would get out of the car, walk through the crossing, and have you pick him up on the other side. Apparently, this behavior was a source of great anxiety for his daughter, who had to devise ways to avoid stopping when driving.
Lacan himself drove fast. Once, he took Martin Heidegger and his wife, Elfride, on a day trip to Chartres to visit the cathedral. Though Heidegger was a hero of his, Lacan continued to drive at his characteristic high speed despite Elfride’s frantic protestations. As the story goes, Lacan was completely silent on the long drive back as he pressed harder and harder on the gas pedal.
Catherine Millot, Lacan’s patient and lover, in her autobiographical book, Life with Lacan, wrote of how he used to drive:
[H]is head forward, gripping the steering wheel, treating obstacles with contempt, as one of my women friends noted, never slowing down even for a red light—and as for observing the right of way… well, let’s not go there. The first time, on the autoroute, travelling at some 120mph, I had a fit of the giggles which I suppressed only with difficulty. But even if I’d burst out laughing, he’d never have noticed; he was concentrating too hard… there was no point in imploring him to slow down. Once, his stepdaughter Laurence had come up with a bright idea: she asked him to drive more slowly so that she could “look at the countryside.” He told her: “Just pay more attention.”
Millot and Miller both consider Lacan’s way of driving as part of his ethical stance. One had to follow one’s desire and not give way to inhibitions or norms. If one had to stop, make it a choice; do not yield to an anonymous law or the whims of the other’s demand. His driving ethic is even used to explain his rapacious consumption of luxury goods—Lacan had quite an art collection, and was known for his sartorial extravagance, from custom-made suits in unusual textiles, to furs, and shoes in rare skins. It may even explain why “obstinate” is the last word attributed to Lacan before his death. This is always the story that one encounters about Lacan, part of the mythology of the courageous, disobedient, relentless man.
I don't know about the writer here, but for myself I wouldn't be entirely confident about putting myself in therapy with a man who considered driving at full speed through red traffic lights "part of his ethical stance".
Lacan was perhaps the most eccentric and is in many ways still the most revered of those French intellectuals, by those who go for that sort of thing. As is the case here, where his astonishing egotism and irresponsibility are paraded as an example of "the mythology of the courageous, disobedient, relentless man".
Raymond Tallis said it best, in a review of Elizabeth Roudinesco’s Jacques Lacan & Co.: A History of Psychoanalysis in France, 1925–1985 in the TLS....The Shrink from Hell:
Future historians trying to account for the institutionalised fraud that goes under the name of ‘Theory’ will surely accord a central place to the influence of the French psychoanalyst Jacques Lacan. He is one of the fattest spiders at the heart of the web of muddled not-quite-thinkable-thoughts and evidence-free assertions of limitless scope which practitioners of theorrhoea have woven into their version of the humanities. Much of the dogma central to contemporary Theory came from him: that the signifier dominates over the signified; that the world of words creates the world of things; that the ‘I’ is a fiction based upon an Oedipalised negotiation of the transition from mirror to symbolic stages; and so on....
Lacan was born in 1901 into a wealthy middle-class family and trained as a doctor. He was attracted first to neurology but soon abandoned this because the patients’ troubles were too ‘routine’, as his biographer (who clearly sympathises with his inhumanity) explains. If Elizabeth Roudinesco’s account is accurate, he must have made a hash of his first case presentation to the Société Neurologique: his patient, she says, supposedly had ‘pseudobulbar disorders of the spinal cord’—a neurological impossibility. (The innocence with which Roudinesco reports all kinds of clinical cock-ups makes this book a particularly disturbing read for a medic.) Abandoning neurology was obviously a wise career move. Unfortunately, though he lacked all the qualities necessary to make a half-way decent doctor (e.g., kindness, common sense, humility, clinical acumen and solid knowledge), Lacan did not abandon medicine altogether, only its scientific basis.
He chose to be a psychoanalyst where, instead of elucidating diagnoses, he could impose them. He fastened on Marguerite Pantaine, a tragically deluded woman who had attempted to kill a well-known actress. For a year, he and Marguerite were, according to Roudinesco, ‘inseparable’. (She had no choice, being in detention.) The elaborate story he concocted about her became the basis of an entire theory of the sick soul and formed his doctoral thesis. In the great tradition of psychoanalysis, ‘he listened’, Roudinesco says, ‘to no truths other than those which confirmed his own hypotheses’. More precisely, the truth was that which confirmed his hypothesis: into her case, ‘he projected not only his own theories on madness in women but also his own fantasies and family obsessions’. For this soul-rape Lacan was awarded his doctorate and his reputation was made. To the end of her days, Marguerite remained bitterly resentful of the use he had made of her. With good reason: Lacan’s crackpot theories, partly expropriated from Salvador Dali, probably prolonged her incarceration. To add insult to injury, he ‘borrowed’ all her writings and photographs and refused to give any of them back.
Lacan published few further cases of his own. Instead, he recycled some of Freud’s well-known cases, in pursuit of his avowed aim of restoring the truth of Freud’s ideas which he believed had been traduced by Freudians. Unfettered by data, he was free to soar and to promulgate those large, untestable and obscure ideas—they were too difficult even for Melanie Klein to understand—that made him into an international superstar and which were cherished by his followers and are foundational for theorrhoeists. His doctrines—a magpie muddle of often unacknowledged expropriations from writers whose disciplines were alien to him, cast in borrowed jargon and opaque neologisms—were Rorschach ink-blots into which anything could be read. Lacan’s ideas were insulated against critical evaluation by his writing style, in which, according to Roudinesco, ‘a dialectic between presence and absence alternated with a logic of space and motion’.
It gets worse...