Matti Friedman in The Atlantic:
Most consumers of the Israel story don’t understand how the story is manufactured. But Hamas does. Since assuming power in Gaza in 2007, the Islamic Resistance Movement has come to understand that many reporters are committed to a narrative wherein Israelis are oppressors and Palestinians passive victims with reasonable goals, and are uninterested in contradictory information. Recognizing this, certain Hamas spokesmen have taken to confiding to Western journalists, including some I know personally, that the group is in fact a secretly pragmatic outfit with bellicose rhetoric, and journalists—eager to believe the confession, and sometimes unwilling to credit locals with the smarts necessary to deceive them—have taken it as a scoop instead of as spin.
During my time at the AP, we helped Hamas get this point across with a school of reporting that might be classified as “Surprising Signs of Moderation” (a direct precursor to the “Muslim Brotherhood Is Actually Liberal” school that enjoyed a brief vogue in Egypt). In one of my favorite stories, “More Tolerant Hamas” (December 11, 2011), reporters quoted a Hamas spokesman informing readers that the movement’s policy was that “we are not going to dictate anything to anyone,” and another Hamas leader saying the movement had “learned it needs to be more tolerant of others.” Around the same time, I was informed by the bureau’s senior editors that our Palestinian reporter in Gaza couldn’t possibly provide critical coverage of Hamas because doing so would put him in danger.
Hamas is aided in its manipulation of the media by the old reportorial belief, a kind of reflex, according to which reporters shouldn’t mention the existence of reporters. In a conflict like ours, this ends up requiring considerable exertions: So many photographers cover protests in Israel and the Palestinian territories, for example, that one of the challenges for anyone taking pictures is keeping colleagues out of the frame. That the other photographers are as important to the story as Palestinian protesters or Israeli soldiers—this does not seem to be considered.
In Gaza, this goes from being a curious detail of press psychology to a major deficiency. Hamas’s strategy is to provoke a response from Israel by attacking from behind the cover of Palestinian civilians, thus drawing Israeli strikes that kill those civilians, and then to have the casualties filmed by one of the world’s largest press contingents, with the understanding that the resulting outrage abroad will blunt Israel’s response. This is a ruthless strategy, and an effective one. It is predicated on the cooperation of journalists. One of the reasons it works is because of the reflex I mentioned. If you report that Hamas has a strategy based on co-opting the media, this raises several difficult questions, like, What exactly is the relationship between the media and Hamas? And has this relationship corrupted the media? It is easier just to leave the other photographers out of the frame and let the picture tell the story: Here are dead people, and Israel killed them.
In previous rounds of Gaza fighting, Hamas learned that international coverage from the territory could be molded to its needs, a lesson it would implement in this summer’s war. Most of the press work in Gaza is done by local fixers, translators, and reporters, people who would understandably not dare cross Hamas, making it only rarely necessary for the group to threaten a Westerner. The organization’s armed forces could be made to disappear. The press could be trusted to play its role in the Hamas script, instead of reporting that there was such a script. Hamas strategy did not exist, according to Hamas—or, as reporters would say, was “not the story.” There was no Hamas charter blaming Jews for centuries of perfidy, or calling for their murder; this was not the story. The rockets falling on Israeli cities were quite harmless; they were not the story either....
Worth reading in full.
Yes, excellent piece. Gaza is a stage and Hamas are the playwrights, choreographers & directors. The press corps are not critics; they're actors too. Given their active complicity and collaboration it's hard to see how it will change.
Posted by: Graham | December 01, 2014 at 12:33 PM
Modern reporters working for the MSM are liars.
If they tell the truth the story is spiked or buried. They are third rate Leftists with no idea as to how the world functions or works. Their bosses are fourth rate leftists who ideologues assuring that that they know absolutely nothing but think that they do.
Both groups also have little knowledge of history. The end result is that the MSM is not worth reading as one learns nothing from it.
Posted by: John Glat III | December 07, 2014 at 02:42 AM